(continued from here)
...and as fleeting as the breeze on Pondicherry's seaside promenade, the flaneur passes, leaving no trace, but bringing back a few snippets, just a day's walk's worth.
Showing posts with label India. Show all posts
Showing posts with label India. Show all posts
A Day's Walk's Worth - 1
How long does it take for a flâneur to find that little blister in the fabric of the city to be able to start peeling its layers away? A few days? A week? A month? How many years?
Certainly more than a single day, spent walking around in flip-flops under a 30 degree Centigrade sky, meeting the incredulous amusement of the local auto-rickshaw drivers, and the mostly closed doors and windows in Pondicherry's French Town - very French, a little Indian and just a vague hint of old Dutch.
The only hope I had then, was to bring you back a day's walk's worth.
Certainly more than a single day, spent walking around in flip-flops under a 30 degree Centigrade sky, meeting the incredulous amusement of the local auto-rickshaw drivers, and the mostly closed doors and windows in Pondicherry's French Town - very French, a little Indian and just a vague hint of old Dutch.
The only hope I had then, was to bring you back a day's walk's worth.
Yet, a day's worth doesn't quite fit into a single post. More tomorrow.
The other Mumbai wakes up
Early on a Sunday morning, the Fort area of south Bombay ought to be deserted. No throngs of suits and ties, no briefcases and cellphones, no long and short cars, and traffic jams and honking and cursing, and sweating policemen just barely managing to keep a semblance of sanity in the chaos. None of it.
The suits are in pajamas at home sleeping off the week and the traffic policemen are yet to arrive on duty. I expect to find a deserted Fort. It is strikingly different, but as I look around I realise I have unwittingly wandered into the morning rituals of the other Mumbai - those who have no weekends.
For, work must still be done for that wage that will buy today's dinner for the family. That walk to work must still be done. That bus caught. That cycle trip made. Sunday is not a weekend. There are no weekends.
Teeth must be brushed before those gas cylinders are delivered.
Hair must be brushed before the day's business starts.
Last night's laundry must be picked up from the park fence before a bird ruins it. Rubbish must be cleared.
I'm clearly the outsider: Who is this woman toting a camera? She isn't supposed to be here so early on a Sunday.
Pictures must be posed for.
"Didi, humaari bhi photo le lo"
(Big Sister, please click a picture of us too)
Lots of posing and giggling ensues.
"Maddum, hum bhi khinchwale?" she asked shyly.
(Madam, Can I also have one?)
I loved her smile.
"Arre Maddum, lage haath meri bhi le lo!"
(Oh Madam, while you're at it, please take one of me too!)
Strikes a pose, pretends to talk on the phone. Never mind the trash in the foreground.
It's always like this on Indian streets. It's more endearing than annoying. I click, while an amused old taxi driver watches. I train my camera on him, but he doesn't flinch.
Back to morning business - tobacco and choona (lime) must be shared, over routine morning greetings.
"Arre Maddumji, ye kaunse aqhbaar mein chhapegi?!"
(Hey, Madam! In what newspaper will this picture get published?)
I smile and shake my head to indicate a no and walk on. Perhaps I should have explained what a blog is. But the sun was getting higher in the sky and sweat was streaming down my back. It would have taken too long - too long for my comfort.
Meanwhile, the old taxi driver is still watching. He's smiling now. One more picture to let him know that I know he's watching. He could have been a statue.
Up on the road, business has already begun. The first customer of the day, the first few rupees. That heavy delivery of potatoes that will take hours on a cycle. The posh shop front must be prepared for its posh customers. The underwear drying on the plants must be removed.
Someone else cycles past me and waves me a loud hello. He's faster than my camera. My car's waiting, the driver slouching in air conditioned comfort, probably wondering what the hell I'm up to, but too polite to ask. I want to stay and watch some more, but I'm drenched in sweat now. I'm not used to this. The rest of Mumbai is still asleep.
I glance back before I sit in the car. The taxi driver is still watching me, his smile wider - the kind of indulgent smile that the elderly reserve for what they consider the foolish young. I laugh and take one last picture.
The suits are in pajamas at home sleeping off the week and the traffic policemen are yet to arrive on duty. I expect to find a deserted Fort. It is strikingly different, but as I look around I realise I have unwittingly wandered into the morning rituals of the other Mumbai - those who have no weekends.
For, work must still be done for that wage that will buy today's dinner for the family. That walk to work must still be done. That bus caught. That cycle trip made. Sunday is not a weekend. There are no weekends.
Teeth must be brushed before those gas cylinders are delivered.
Hair must be brushed before the day's business starts.
Last night's laundry must be picked up from the park fence before a bird ruins it. Rubbish must be cleared.
I'm clearly the outsider: Who is this woman toting a camera? She isn't supposed to be here so early on a Sunday.
Pictures must be posed for.
"Didi, humaari bhi photo le lo"
(Big Sister, please click a picture of us too)
Lots of posing and giggling ensues.
"Maddum, hum bhi khinchwale?" she asked shyly.
(Madam, Can I also have one?)
I loved her smile.
"Arre Maddum, lage haath meri bhi le lo!"
(Oh Madam, while you're at it, please take one of me too!)
Strikes a pose, pretends to talk on the phone. Never mind the trash in the foreground.
It's always like this on Indian streets. It's more endearing than annoying. I click, while an amused old taxi driver watches. I train my camera on him, but he doesn't flinch.
Back to morning business - tobacco and choona (lime) must be shared, over routine morning greetings.
"Arre Maddumji, ye kaunse aqhbaar mein chhapegi?!"
(Hey, Madam! In what newspaper will this picture get published?)
I smile and shake my head to indicate a no and walk on. Perhaps I should have explained what a blog is. But the sun was getting higher in the sky and sweat was streaming down my back. It would have taken too long - too long for my comfort.
Meanwhile, the old taxi driver is still watching. He's smiling now. One more picture to let him know that I know he's watching. He could have been a statue.
Up on the road, business has already begun. The first customer of the day, the first few rupees. That heavy delivery of potatoes that will take hours on a cycle. The posh shop front must be prepared for its posh customers. The underwear drying on the plants must be removed.
Someone else cycles past me and waves me a loud hello. He's faster than my camera. My car's waiting, the driver slouching in air conditioned comfort, probably wondering what the hell I'm up to, but too polite to ask. I want to stay and watch some more, but I'm drenched in sweat now. I'm not used to this. The rest of Mumbai is still asleep.
I glance back before I sit in the car. The taxi driver is still watching me, his smile wider - the kind of indulgent smile that the elderly reserve for what they consider the foolish young. I laugh and take one last picture.
Mumbai Disturbia
There's a Sanskrit word with its roots in Indian Hindu philosophy and mythology called "Maya" - meaning illusion, something that embodies duality - that, which changes face and confuses our perception of reality in daily life.
Mumbai, the city, epitomises Maya.
That, which glitters with hope for millions in small town and rural India; that, which carries the honourable plaque of the financial hub of the country, that utopian dream that can make millionaires out of rag-pickers - that temptress, which attracts so many to it only to send most of them plunging into its dystopian reality, a world, ironically, full of disillusion.
Few of us are alien to Mumbai's dark underbelly - glorified as it is by the Slumdogs and Salaam Bombays. But walk right into its scenes when you least expect to, when you haven’t been in the city long enough at a stretch to be sufficiently inured to it, and it can disturb deeply.
On my last leg of my India trip last month, I spent two days in Bombay (as I still like to call it). Rose early on a Sunday morning to get a few shots of my favourite part of the city and to get a few shots for Metrotwin Mumbai. Shots of NGMA done, pleased with myself , pleased with the shots I had managed to take, I started walking towards my waiting car, the city only just stirring into action around me. This is when I spotted this little girl, sweeping a small patch of the street, all alone.
Why did I stop and notice her? It was the way she was dressed, the look on her face – she was an anomaly to the hordes of street children one comes across on Bombay’s streets. She wasn’t in tatters; she wore a clean frock and her hair in two neat pigtails. She couldn’t have been over 5. She was so vulnerable. I moved towards her, hoping to speak to her – suddenly she looked up and ran away. I followed, hoping to find her around the corner but instead, I found this.
I don’t know if this woman was her mother. I don’t know why she was sleeping (lying?) on the doormat of that building. Like the child, she was dressed neatly; she didn’t belong here, on the street. There were a few men around by this point. No one else seemed to notice her. A couple of men glanced at me, probably surprised that I was paying her any attention at all. At one point I thought I saw her open her eyes slightly and look at me. I couldn’t be sure. I was afraid to go up to her and talk to her. I don’t know why. I stood there for a long time wondering if I should. The little girl was nowhere to be seen.
In the end I walked away, just like the men. But these images didn’t leave me.
Mumbai, the city, epitomises Maya.
That, which glitters with hope for millions in small town and rural India; that, which carries the honourable plaque of the financial hub of the country, that utopian dream that can make millionaires out of rag-pickers - that temptress, which attracts so many to it only to send most of them plunging into its dystopian reality, a world, ironically, full of disillusion.
Few of us are alien to Mumbai's dark underbelly - glorified as it is by the Slumdogs and Salaam Bombays. But walk right into its scenes when you least expect to, when you haven’t been in the city long enough at a stretch to be sufficiently inured to it, and it can disturb deeply.
On my last leg of my India trip last month, I spent two days in Bombay (as I still like to call it). Rose early on a Sunday morning to get a few shots of my favourite part of the city and to get a few shots for Metrotwin Mumbai. Shots of NGMA done, pleased with myself , pleased with the shots I had managed to take, I started walking towards my waiting car, the city only just stirring into action around me. This is when I spotted this little girl, sweeping a small patch of the street, all alone.
Why did I stop and notice her? It was the way she was dressed, the look on her face – she was an anomaly to the hordes of street children one comes across on Bombay’s streets. She wasn’t in tatters; she wore a clean frock and her hair in two neat pigtails. She couldn’t have been over 5. She was so vulnerable. I moved towards her, hoping to speak to her – suddenly she looked up and ran away. I followed, hoping to find her around the corner but instead, I found this.
I don’t know if this woman was her mother. I don’t know why she was sleeping (lying?) on the doormat of that building. Like the child, she was dressed neatly; she didn’t belong here, on the street. There were a few men around by this point. No one else seemed to notice her. A couple of men glanced at me, probably surprised that I was paying her any attention at all. At one point I thought I saw her open her eyes slightly and look at me. I couldn’t be sure. I was afraid to go up to her and talk to her. I don’t know why. I stood there for a long time wondering if I should. The little girl was nowhere to be seen.
In the end I walked away, just like the men. But these images didn’t leave me.
Exciting Times
These are exciting times. As I type this, I'm sitting on a couch amidst half-filled suitcases and Fedex boxes. Yes, the India stint is nearly over and I'll be back in London very soon. I'm saying goodbyes, getting just a touch emotional, and also slowly but steadily getting better. Thank you, for all your good wishes in the comments and through email! I was really touched.
As you can imagine, amidst all this happening, posting here will be a bit slow (but only for a week or so more, I promise you!). But then here comes some good news to counter that:
You can now also follow my work on an all-new blog called Metrotwin Mumbai on which I was invited to be a Contributing Editor. It's no secret that I'm in love with London, but Mumbai too, is one of the cities that holds a special place in my heart (although I still like to call it by its old colonial name 'Bombay'). And that is why I jumped at this. Launched by British Airways just last week, it is based on the innovative concept of "twinning" London and Mumbai - two of the most vibrant and exciting cities on the planet, and which, despite being a world apart, have a lot in common! What's that, you ask? Go read the blog and find out for yourself. You can read all my posts there on one page by clicking on this link.
Don't go away just yet! Urban Legends is going to be back with lots of untold stories from India and with the regular programming from London, in a week's time. Meanwhile, I'll leave you with some pictures from these last three months in India that never made it to this blog (and probably won't make an appearance in the stories yet to be told) but I like them anyway and I hope you will, too.
I know these pictures are all very disconnected - they don't weave a web like those spiders up there. But I like the pictures and they all have little anecdotes if not full stories linked to them. Would love to tell you those sometime... do tell me if you'd like to know.
As you can imagine, amidst all this happening, posting here will be a bit slow (but only for a week or so more, I promise you!). But then here comes some good news to counter that:
You can now also follow my work on an all-new blog called Metrotwin Mumbai on which I was invited to be a Contributing Editor. It's no secret that I'm in love with London, but Mumbai too, is one of the cities that holds a special place in my heart (although I still like to call it by its old colonial name 'Bombay'). And that is why I jumped at this. Launched by British Airways just last week, it is based on the innovative concept of "twinning" London and Mumbai - two of the most vibrant and exciting cities on the planet, and which, despite being a world apart, have a lot in common! What's that, you ask? Go read the blog and find out for yourself. You can read all my posts there on one page by clicking on this link.
Don't go away just yet! Urban Legends is going to be back with lots of untold stories from India and with the regular programming from London, in a week's time. Meanwhile, I'll leave you with some pictures from these last three months in India that never made it to this blog (and probably won't make an appearance in the stories yet to be told) but I like them anyway and I hope you will, too.
I know these pictures are all very disconnected - they don't weave a web like those spiders up there. But I like the pictures and they all have little anecdotes if not full stories linked to them. Would love to tell you those sometime... do tell me if you'd like to know.
Subscribe to:
Posts (Atom)
